In the large main gallery is "A Feast of Fruit & Flowers," a robust, focused selection of paintings by women from the 17th Century (mostly) in a sharp tour of approaches to the still life. Supporting ...

What does it mean to paint a bowl of fruit in 2026? For Kerry Bickford, associate curator at the Brandywine Museum of Art, the question is less quaint than it sounds. It’s one she has given a lot of ...

66.7 x 53 cm. (26.3 x 20.9 in.) ...

This media is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's ...

13 x 16 in. (33 x 40.6 cm.) Subscribe now to view details for this work, and gain access to over 18 million auction results. Purchase One-Day Pass ...

Marcus, Louis Goldreich, "Severin Roesen: A Chronology," Williamsport, PA: Lycoming Historical Society & Museum,1976. "An American Perspective: Nineteenth-Century Art ...

Purchase this and other timeless New Criterion essays in our hard-copy reprint series. In terms of public reception in his day, he might have done better to paint even more still lifes. In terms of ...

The French still life painter Anne Vallayer-Coster, the second woman ever admitted to France’s Royal Academy (or Académie royale de peinture et de sculpture), has smashed her auction record with a ...

Add Yahoo as a preferred source to see more of our stories on Google. Sharon Core, "Boston Cremes," from the series "Thiebauds," 2004. C print. (William Jaeger/For the Times Union) By integrating ...

The Hyde Collection exhibit blends three shows from women artists across centuries into a unified exploration of the still life genre Sharon Core, "Boston Cremes," from the series "Thiebauds," 2004. C ...